Saturday, October 19, 2013

(VIDEO) Obamanomics: "Raising the Debt Ceiling ...Does Not Increase Our Debt"

President Obama recently included in his remarks to the Business Roundtable meeting at the White House this little nugget: "Raising the debt ceiling...does not increase our debt."

Osama bin Laden, A.K.A. CIA Asset "Tim Osman"

Tim Osman (Ossman) has recently become better known as Osama Bin Ladin. "Tim Osman" was the name assigned to him by the CIA for his tour of the U.S. and U.S. military bases, in search of political support and armaments. [...] There is some evidence that Tim Osman ... visited the White House. There is certainty that Tim Osman toured some U.S. military bases, even receiving special demonstrations of the latest equipment. Why hasn't this been reported in the major media? [Full article]

See also:

Analysis of the Occult Symbols Found on the Bank of America Murals

Prominently displayed in the lobby of the Bank of America’s Corporate Center are “creepy” frescoes, filled with occult symbols. Even more unsettling is the fact that those images seem to predict events of a radical world change in the not-so-distant future. Are those murals predicting the coming of an occult New World Order? We will look at the occult meaning of the symbols found on the Bank of America frescoes.
A reader of Infowars sent me pictures of some very odd murals displayed at the Bank of America Corporate Center in Charlotte, NC. Needless to say they immediately caught my attention, as I was flabbergasted by their symbolism and their message. I also couldn’t help relating them to the ominous murals of the Denver International Airport.
Painted by Benjamin Long, the paintings are said to revolve around the themes of “making/building, chaos/creativity, and planning/knowledge in a “daring blend of abstract and realism, set off with touches of gold“.
The three frescoes ruling over the lobby of the Bank of America Corporate Center.
Although we normally read from left to right, there are clues within the frescoes hinting the viewers to read the paintings from right to left. The “planning” stage (visually represented by the fresco on the right) is normally the first step of any process so it would make sense to start from there.  There is also alchemical symbolism hinting towards the chronology of the frescoes, so we will begin with the one on the right:

Right Fresco

The fresco on the right is dubbed Planning/Knowledge.  An esoteric read of its symbolism reveals exactly what is being planned and what knowledge it is referring to.

Masonic Boy on Masonic Floor

We see here a young blond boy standing on a standard Masonic checker-board pattern floor. His feet are placed at a 90 degrees angle, in accordance to Masonic initiation ritual:
Q. On your return to the Lodge, where were you placed, as the youngest Entered Apprentice?
A. In the northeast corner, my feet forming a right angle, my body erect, at the right hand of the Worshipful Master in the east, an upright man and Mason, and it was given me strictly in charge ever to walk and act as such.”
- Malcolm C. Duncan, Duncan’s Masonic Ritual and Monitor
Seemingly underneath the boy are people dressed in business suits, seemingly strategizing while pointing at the Masonic boy. Does the boy represent the “new generation”?
This blond boy is very reminiscent of the blond boy featured at the center of one of the murals of the Denver International Airport.
Blond boy hammering a sword into a plowshare. Note that the boy is wearing a traditional Bavarian costume … perhaps as in Bavarian Illuminati?

Burning Bush, Woman in Cube and Pyramid

Symbolism overload
Behind the boy is a tree on fire, which is a reference of the Burning Bush of the Old Testament. The Burning Bush is of great importance in Masonic ritual, especially for the 33rd degree, whose members are considered to be “near the Burning Bush”.
“In the third Exodus it is record that, while Moses was keeping the flock of Jethro on Mount Horeb, “the angle of Lord appeared unto him in a flame of fire out of the midst of a bush”, and there communicated to him for the first time his Ineffable Name. This occurrence is commemorated in the Burning Bush of the Royal Arch Degree. In all systems of antiquity, fire is adopted as a symbol of Deity; and the Burning Bush, or the bush filled with fire which did not consume, whence came forth the Tetragrammaton, the symbol of Divine Light and Truth, is considered in the advanced degrees of Freemasonry, like the Orient in the lower, as the great source of true Masonic light; wherefore Supreme Councils of the Thirty-Third Degree date their balustres or official documents, “near the B.B.” or Burning Bush, to intimate that they are, in their own rite, the exclusive source of all Masonic instruction”.
- Albert G. Mackey, Encyclopedia of Freemasonry, Part 1
In the background is an Egyptian pyramid, the ultimate symbol of the Mysteries in occult teachings.
A strange feature of the painting is the woman apparently trapped inside a transparent cube, hanging from threads coming from the sky. Does she represent the common man, stuck in the confines of the material world (occultly represented by the cube) and manipulated by unseen the forces from above?

Stairs and Black Sun

Jacob’s ladder and a black sun
On the left of the image are stairs, apparently leading to the heavens, a classic symbol representing the path to illumination/Illuminati through the mysteries of Masonry.
A Masonic engraving depicting stairs leading from the Masonic floor to the “outside”
In the sky is a black sun, another symbol of an esoteric significance. Hermetic traditions teach the existence of two suns, an invisible and etheric one made of pure “philosophical gold” and the material one, the only one the profane can perceive, known as the Black Sun.
In alchemy, the black sun (Sol niger) is the name of the result of the first stage of the Opus Magnum. The alchemical Magnum Opus (or Great Work) starts with the “blackening” – the calcination of crude metals – and ends with their transmutation into pure gold.
Today, the symbol of the Black Sun is mostly associated with esoteric Nazism and cults such as the Temple of Set. It is also found in odd places such as:
Bracken House, London. The Black Sun beares the face of Winston Churchill.
…and, once again, the Denver International Airport.
Floor design in the DIA depicting a black sun moving in front of the golden sun
The right fresco therefore seems to portray the first step of a “Great Work” that needs to be accomplished, as symbolically represented by the black sun. Men dressed in suits (one of them oddly looks like Adam Weishaupt),  seem to be preparing a new generation of Masonic youth. Meanwhile, the “profane” seem to be idling in an translucent cube, controlled by invisible puppeteers.

Middle Fresco

The middle fresco, Chaos/Creativity, depicts a turbulent transitional period. Many details within the painting describe this profound turmoil, which seem to be affecting all part of society and civilization. We find military and religious figures, people protesting and much more.
Barb wires, nets and soldiers on the streets tell the viewers that this period of turmoil is also one of oppression. The nun does not seem very pleased either.
At the left of the painting is a person wearing a biohazard suit, hinting to some kind of chemical warfare.
Person in gas suit
For this reason, and many more, I find this painting very similar to one of the Denver Airport’s murals … the most infamous one.
This mural of the DIA portrays a militaristic figure wearing a gas mask and oppressing an endless line of sad people. Chemical warfare, military repression, dead babies … what is there not to like about this image?
If we look at the top of the fresco, we see translucent beings spinning with fire, perhaps implying that the turmoil is also happening on a metaphysical, cosmic or astral level.
Spinning naked bodies in a vortex of fire
This round fiery shape can also be likened to a sun. Its pale golden color and the transparency of its figures can be associated with the intermediate step of the great alchemical work named “Whitening”. Jung compared this step with daybreak, the preparation for the next and final stage, which is the sunrise, characterized by the color red. Which is, of course, the most prominent color of the left fresco.

Left Fresco

The fresco on the left is said to focus on the theme of “Making/Building“. The main figure of the fresco is a worker holding a shovel, contemplating the work done. In his back pocket is a red piece of cloth, a symbolic detail in the context of this image. There is indeed a great emphasis on the color red in this fresco, which, as mentioned above, is the also the color associated with the final step of the alchemical Magnum Opus: Rubedo, the “Red Work”.
In occult teachings, alchemical transformation can happen on numerous levels: a material level, where crude metals are transmuted to pure gold, but also on a spiritual and philosophical level, where the profane man becomes a “regenerated man”. In secret-society lore, the entire world is considered to be the subject of alchemical transformation; it is said to be an imperfect plane needing to be “transmuted into gold” in order to mirror the heavens, in accordance with the hermetic axiom “As Above, So Below”. Is a New World Order the “Great Work” of the occult elite?

Sleeping Giant

Is he dead or sleeping? And what does “EQ” mean?
An odd detail of the fresco is this man blending with the earth, apparently in deep sleep … or is he buried? This is also reminiscent of the (unsettling) sleeping little boy on the DIA murals.
A helpless little boy sleeping (or dead) under a red blanket

What Is The Meaning of the Frescoes?

Like most elitist art, the frescoes on display at the headquarters of Bank of America, the largest bank in America, tell a story intended to be decoded by those in the know. The frescoes seem to depict three stages of world transformation – planning, chaos and achievement – and are color-coded to be analogous to the three stages of hermetic alchemy: Nigredo (blackness), Albedo (whiteness) and Rubedo (redness).  The frescoes beare many resemblances to the murals of the Denver International Airport, which also depict progressive phases of a profound transformation of society after a period of intense turmoil.
The first fresco displays a wide array of occult symbols, some directly referring to Freemasonry. This is quite astonishing as the painting is in the lobby of the headquarters of the United States’ most predominant bank and not in a Masonic lodge … but perhaps there is some overlap. Those who are “in the know” and initiated to the Mysteries are those who are qualified to accomplishing the planning process, which in this painting seem to be the men in suits, whose ties match the red and white checker-board floor, and who make plans for the future generation, represented by the blond Masonic boy.
In the second fresco, civil unrest, riots, protests and repression are all taking place. Historically, the masses only usually go into an outright revolt when their living conditions deteriorate significantly or when hugely unpopular policies get adopted. Does this piece refer to the loss of civil liberties and the rise of a police state? There is also a metaphysical aspect to the image, represented by the spinning naked bodies that appear as the sun, implying that the period turmoil is also happening on a cosmic level.
The last fresco gives a sense of “mission accomplished”, with the dominant figure surveying the work, while also conveying the message that “the work is never totally done” as labourers are still hard at work in the underground. This is reminiscent of the movie Metropolis, where a class of workers silently slave away underground to sustain the elite’s utopia. I also can’t help but being reminded of the 33 Chilean miners while looking at those workers …

In Conclusion

The Bank of America frescoes are yet another example of the elite’s agenda being “hidden in plain sight”. These giant images, on display for all to see, but designed to be understood by few, describe the philosophy of the elite rulers, their occult knowledge and their plans for the future.  As it is the case for all works of art, it is possible to interpret these paintings on numerous levels and to come up with different conclusions. It is, however, difficult to ignore the recurrent themes found in the”Sinister Sites” described on The Vigilant Citizen: prevalent occult symbolism, the heralding of a “new era”,  contempt for the profane masses, celebration of repression and war, etc. When comparing the Bank of America frescoes with the art of the DIA and the Georgia Guidestones, we can find a definite consistence in their symbolism, their tone and their message. This leads me to believe that the same group is behind all of those sites and many more. Whoever they are, we know a few things for sure: they are extremely rich, extremely powerful and they don’t really like you … because you are not one of Them.





by Anthony Gucciardi, August 2013
High level government documents reveal that the Pentagon is preparing in full force for ‘large scale economic meltdown’ and massive revolt via the US public — exactly what we are criticized for doing.
You see the Pentagon and agencies like the Department of Defense (DoD) are in full scale emergency readiness in their own words for ‘cataclysmic’ events that are believed to ultimately ignite riots in the face of chaos and economic collapse, and it’s all out in the open. And it’s one of the reasons that we’re seeing such a massive amount of spying on activists of all kinds, alternative news writers and personalities, and basically anyone preparing for themselves.
The US government is dedicated to logging such information into a major database in order to ‘prepare’ for the coming collapse that they are predicting in their own documents for all to see. Collapse predictions that have turned into ‘war games’ by the Pentagon, which in 2010 were orchestrated to prepare for what the Pentagon dubbed ‘large scale economic breakdown’ and the disappearance of essential services like food.
In this same ‘war games’ exercise dedicated to domestic response, exercises were ran in order to prepare for ‘domestic order amid civil unrest’.
A thread that is seen throughout these tests is the concept that civil unrest will unfold and prompt military action against the public. One of the largest examples of this is the US Army’s Strategic Studies Institute paper that talks about about the ‘threat of domestic crises’ that are expected to lead to massive unrest throughout the nation. Spurring more paranoia into the notion that every citizen is a terrorist, the report starts talking about everything from economic collapse to a loss of functional political order brought upon by a ‘hostile group within the United States’ that could access weapons.

In such scenarios, the report discusses how the DoD would then be forced by circumstances’ to come in and stop ‘purposeful domestic resistance or insurgency”:

“DoD might be forced by circumstances to put its broad resources at the disposal of civil authorities to contain and reverse violent threats to domestic tranquility. Under the most extreme circumstances, this might include use of military force against hostile groups inside the United States. Further, DoD would be, by necessity, an essential enabling hub for the continuity of political authority in a multi-state or nationwide civil conflict or disturbance.”
To go along with this, and the idea of the military coming in to stop domestic resistance in the midst of an economic collapse, the Pentagon has gone and created a force consisting of 20,000 troops whose sole purpose is to be available for civil unrest and catastrophes – all based on the 2005 Homeland Security program to prepare for ‘multiple, simultaneous mass casualty incidents‘. Yet again we see this link.
But don’t worry, changes have been made just one month ago to allow for the Pentagon to directly have absolute authority over domestic emergencies and ‘civil disturbance’ at large. As reported in a Long Island news publication and properly summarized by The Guardian as further preparation for some form of domestic meltdown:
“Federal military commanders have the authority, in extraordinary emergency circumstances where prior authorization by the President is impossible and duly constituted local authorities are unable to control the situation, to engage temporarily in activities that are necessary to quell large-scale, unexpected civil disturbances.”
What does this mean exactly, to engage in the activity necessary to quell large-scale civil disturbances? Well, for one it is the blank check ability to go ahead and stop major protests amid domestic turmoil. The kind of protests we’re seeing around the world, from Egypt to Brazil. The kind of protests where citizens have had enough.
And going by the Pentagon documents mixed with the DoD papers, it appears the military believes America may take to the streets amid an economic collapse or ‘domestic disturbance’ of large caliber. And you can be sure that virtually all citizens that question the government are the targets of military intervention, as we see in the DoD’s own Army Modernisation Strategy, detailing ‘anti-government and radical ideologies that potentially threaten government stability‘ as a major threat.
Yes, you read that right. The DoD is classifying ‘anti-government and radical ideologies’ as something that threatens government stability. When a major ‘domestic disturbance’ comes along that all of these documents are discussing, such as perhaps in the form of mass protests, it’s the ‘anti-government extremists’ they will be coming after.

ObamaCare Website Conceals The Fact That Applicants Have “No Reasonable Expectation Of Privacy”

“The Weekly Standard” has revealed yet another reason to mistrust the Affordable Care Act and the intentions of its authors. On October 1st, the website proudly announced that “Open Enrollment in the Health Insurance Marketplace is Here.” What the site did NOT proudly announce is the following:
“You have no reasonable expectation of privacy regarding any communication or data transiting or stored on this information system.  At any time, and for any lawful Government purpose, the government may monitor, intercept, and search and seize any communication or data transiting or stored on this information system.  Any communication or data transiting or stored on this information system may be disclosed or used for any lawful Government purpose.”

“Used for any lawful Government Purpose?” That’s reassuring, isn’t it!

The above privacy warning is on the Terms and Conditions page of the website. However, as the Weekly Standard explains, when the Terms and Conditions page is displayed, this portion of the privacy warning cannot be seen except by using “…a web browser’s “View Source” feature.” Otherwise, this privacy warning “…is not visible to users and obviously not intended as part of the terms and conditions…”

Three years ago, the Obama Regime made an additional 1.5 million groups, organizations, and individuals privy to the medical records of the American public by modifying HIPAA, the inaccurately named Health Insurance Portability and Accountability Act. Widely promoted as the Act that protects the medical privacy of the American public, HIPAA actually does nothing more than tell individuals how a doctor or hospital “…may use and share [their] health information….”

The Affordable Care Act has become the largest source of data collection in the world as it will house the medical and personal records of every applicant for healthcare, whether a policy is purchased or not. The days of medical records being a privately held source of information between doctor and patient are over. The federal government will compile a dossier on every American citizen as it holds the power of life and death with which to literally extort “acceptable behavior.”

The American people cannot begin to understand how insidious the Affordable Care Act truly is. The coming education will not be a pleasant one.


Barack Obama murdered a 16 year old American teenager. Where is the justice?

by: JUL 22 2013

Few things divide us as quickly and powerfully as criminal trials that contain or spark racial controversy. Think of the police officers who beat Rodney King; the murder case against O.J. Simpson; the rape charges filed against members of Duke's lacrosse team; and the recently concluded trial of George Zimmerman, who was acquitted after killing Trayvon Martin on the streets of a Florida subdivision. In many ways, the cases could hardly be more different. But all stand out as polarizing cultural moments, when trials came to stand for more than the incident under review, and divisions in the way different Americans experience their country were exposed.

President Obama took a risk last week by speaking about Trayvon and race in America, even as a polarized debate raged about racial profiling, Stand Your Ground, and whether any of it mattered in the death of the 17-year-old. Obama spoke when emotions were at their most raw and people were in the streets protesting. It's easy to see how he could have made matters worse, for himself or the country. Yet he delivered remarks so pitch perfect that, for 15 minutes, I wasn't just glad he was president; I wished America could've benefited from his calming, unifying rhetoric during bygone controversies. Labeling him the "Defuser-in-Chief," Andrew Sullivan wrote, "He tried to explain -- in a simple, uncondescending way -- one shared communal experience to another," adding that "in a polarized America, this mixed-race president is doing what he can to foster mutual understanding and respect -- by lowering the temperature." That captures the tone and substance of Obama's remarks. Do read them if you haven't already.
Many observers thought that Obama's remarks were at their most powerful when he said:
You know, when Trayvon Martin was first shot, I said that this could have been my son. Another way of saying that is Trayvon Martin could have been me 35 years ago. And when you think about why, in the African American community at least, there's a lot of pain around what happened here, I think it's important to recognize that the African American community is looking at this issue through a set of experiences and a history that doesn't go away.

There are very few African-American men in this country who haven't had the experience of being followed when they were shopping in a department store. That includes me.  There are very few African-American men who haven't had the experience of walking across the street and hearing the locksclick on the doors of cars. That happens to me -- at least before I was a senator. There are very few African Americans who haven't had the experience of getting on an elevator and a woman clutching her purse nervously and holding her breath until she had a chance to get off. That happens often. And I don't want to exaggerate this, but those sets of experiences inform how the African-American community interprets what happened one night in Florida.  And it's inescapable for people to bring those experiences to bear.
I felt the power of those words. But as I re-read that part of the speech, as well as the passage where the president said, "I want to make sure that, once again, I send my thoughts and prayers, as well as Michelle's, to the family of Trayvon Martin, and to remark on the incredible grace and dignity with which they've dealt with the entire situation," I can't help but harbor complicated feelings about Obama and the American people generally. You see, right around the same time that Obama gave his speech, the grandfather of a 16-year-old American, killed in an apparent incident of profiling, wrote in the New York Times, "They showed me the grave where they buried his remains. I stood over it, asking why my grandchild was dead. Nearly two years later, I still have no answers." As he put it, "the United States government has refused to explain." 

The 16-year-old "lived in America until he was 7, then came to live with me in Yemen. He was a typical teenager -- he watched 'The Simpsons,' listened to Snoop Dogg, read 'Harry Potter' and had a Facebook page with many friends. He had a mop of curly hair, glasses like me and a wide, goofy smile." In the autumn of 2011, Abdulrahman set out from his grandfather's home in search of his father, who he hadn't seen in years. He was still hundreds of miles away when the U.S. government killed his father, Anwar al-Awlaki, in a drone strike due to his affiliation with al-Qaeda. "Abdulrahman called us and said he was going to return home," his grandfather wrote. "That was the last time I heard his voice. He was killed just two weeks after his father." 

The U.S. government was behind the killing. "The missile killed him, his teenage cousin and at least five other civilians on Oct. 14, 2011, while the boys were eating dinner at an open-air restaurant in southern Yemen." I've written about the boy's case before, though I hadn't thought about it for awhile. 

But Obama's speech brought it to mind. There are, of course, many differences between the killing of Trayvon Martin and the killing of Abdulrahman al-Awlaki. But they were just a year apart in age when killed. When I heard Obama muse about how 35 years ago, he could've been Trayvon Martin, I started to think about a young Barack Hussein Obama, having not seen his father in years; and it didn't seem so far-fetched to think that he could've been Abdulrahman too -- not someone whose father was an international terrorist, necessarily, but a young American citizen venturing off to a volatile foreign country in search of an absent father, and getting killed in the course of his search, despite not having done anything wrong himself. If a mixed race 16-year-old named Barack Hussein Obama had been killed overseas circa 1978, how many Americans would have cared? Would the U.S. government have investigated? Had a George W. Bush or a Bill Clinton been killed abroad at that age would it have been different? Experience would lead African Americans and Muslim Americans to think so.

I'd never fault Obama for failing to identify with Abdulrahman in the personal way that he has with Trayvon. But comparing and contrasting the two deaths, as I've been doing in my head all weekend, ought to make anyone deeply uncomfortable. The Florida case sparked a nationwide protest movement because of the widespread belief that local police hadn't properly investigated a 17-year-old's death. Millions of Americans felt that absent an independent investigation of the facts, an arrest and a trial, justice wouldn't even have a chance of being served. Obama even addressed the case himself and consoled the boy's grieving family.

Abdulrahman's death still hasn't been investigated. 

The Obama Administration took many months just to acknowledge that it was responsible for firing the missile that killed Abdulrahman, but still gave no explanation, saying only that the 16-year-old wasn't targeted intentionally. There was no popular outcry for the facts to be established and possible wrongdoing to be adjudicated, even after reports surfaced that John Brennansuspected that Abdulrahman was killed intentionally. Obama hasn't addressed the 16-year-old's death. 

He hasn't consoled the boy's family. 

But Robert Gibbs, his former press secretary, did say, asked in his capacity as an Obama 2012 staffer how Obama justified the 16-year-old's death, "I would suggest that you should have a far more responsible father if they are truly concerned about the well being of their children. I don't think becoming an al-Qaeda jihadist terrorist is the best way to go about doing your business." Imagine how that statement made Abdulrahman's surviving relatives -- none of them al-Qaeda members -- feel. Imagine how it feels for them to still not know why the boy was killed.
Is it sufficient to say, as Obama Administration defenders do, that Abdulrahman's killing  happened in war, and national security requires that the details be kept secret? Is it unfair to compare this case with a domestic incident in Florida where state secrets were not implicated at all? 

Certainly the incidents are different.

But I don't think all comparisons are unfair. It should be said that the U.S. isn't, in fact, at war with Yemen, and wasn't at war with any group to which the 16-year-old belonged. But set that aside. 

When an American citizen is wrongfully killed by the government, "we didn't mean to do it but we can't explain why we did" doesn't cut it. Is there no other information that can be released without jeopardizing national security? Even if it was a terrible accident that everyone in the national-security establishment regrets, isn't the next of kin owed an explanation and an apology?

Shouldn't what went wrong be established? 

Don't the press and the public have a responsibility to see if anyone erred in a way for which they should be held accountable, and that safeguards are in place to make sure other innocents don't die in this terrible way? That's how we reacted when Pat Tillman died on the battlefield. As in that case, the notion that the government is obviously telling us the truth, and has additionally told us all that it possibly can without jeopardizing national security, seems farcical. 

One needn't suspect murder to demand answers.

And when I think about the contrasts in the ways that the government and the public have treated Trayvon and Abdulrahman, I must say that I discern uncomfortable truths that are bigger than the facts of the individual cases, as perilous as extrapolating in these circumstances can be. In a nod to the inevitable uncertainty involved in these judgments, I'll conclude by talking not about what I know or can prove, but about what I fear and want desperately to prevent. 
Whatever the truth is about the killing of Abdulrahman, the way that it's been handled -- by the president and the public -- makes me fear that it would be easy for the United States government to wrongfully kill an innocent American teenager, so long as he is a Muslim American traveling in a Muslim country. I fear that having a name like Abdulrahman is itself enough to make the American public more comfortable with your unexplained death than if you have a name like Trayvon or John. I fear that no public figure with the cultural resonance of a Barack Obama, or even Jessie Jackson or Al Sharpton, reliably speaks up on behalf of wronged Muslim Americans, because there is no constituency to make a figure of that sort popular. I fear that this makes Muslim Americans the most vulnerable minority group in America today.

I fear that a healthy majority of Americans, including Americans who would be outraged were it proved that Trayvon Martin was racially profiled, are perfectly comfortable with killing young men of unknown identity in Yemen, so long as drone pilots conclude that they fit the profile of terrorists. (Few object to the fact that the Obama Administration has treated all dead males of military age as "militants" when it calculates how many innocent civilians are being killed by its ongoing drone war). I fear that the logic of the drone war -- that terrorists are determined to kill us, and that very real threat justifies drone strikes in Yemen, even though some innocents will be killed -- is uncomfortably similar, though not equivalent, to the logic of Zimmerman, who noted that his fearful neighbors were targeted by real criminals to justify his aggressive pursuit of Trayvon. 

I fear that the thousands of family members of innocent civilians killed in drone strikes feel toward the United States something like what Trayvon Martin's family feels toward George Zimmerman, and that when Muslim Americans hear Obama talk about understanding what it's like to be part of a minority group subject to profiling, they nevertheless feel vulnerable to being profiled. Indeed, they know that Obama has recently praised a man who ethnically profiled them. 

When it came to Trayvon Martin and George Zimmerman, Americans on all sides of the controversy, however wrongheaded their understanding of the facts or their arguments, generally wanted what they saw as justice to be done. I fear that, in the case of Abdulrahman, my fellow citizens don't particularly care whether justice is done, because deep down they know we're doing some unjust things in the War on Terrorism, but they have a hazy idea that those things make us safer, so they don't want to look into them too deeply, lest we have to stop, or even to fully confront what's being done in our names. I want to believe that being an American citizen at least means that when you're killed, the facts around your death will be investigated and wrongdoing will be punished, even if you have a Muslim name and a radical for a father. 

I fear I'll never be able to believe it again.